Glosario > Bibliografía

Adler, Anthony Curtis (2012): “Analog in the Age of Digital Reproduction.Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph”. En: Kiene Brillenburg Wurth: Between Page and Screen. Remaking literature through cinema and cyberspace, New York: Fordham University Press, 48-61.

Appadurai, Arjun (2010): “Circulation ≈ Forms”, The Salon 2: 5-10.

Benjamin, Walter (1935): “The Work of Art in the Age of Mechanical Reproduction”, Zeitschrift für Sozialforschung. http://raumgegenzement.blogsport.de/2012/02/05/zeitschrift-fuer-sozialforschung-1932-1941/. (Fecha de acceso: 23/06/2021).

Bolter, Jay David, y Richard Grusin ([1999] 2000). Remediation: Understanding New Media, Cambridge: MIT Press.

Bourriaud, Nicolas (2007): Postproduccion. La cultura como escenario: modos en que el arte reprograma el mundo contemporáneo, Buenos Aires: Adriana Hidalgo Editora.

Christiane Paul/Malcolm Levy (2015): “Genealogies of the New Aesthetic”. En: David M. Berry/Michael Dieter (eds) Postdigital Aesthetics. Art, Computation and Design, Basingstoke: Palgrave Macmillan, 27-43.

Davis, D. (1991–1995) “The Work of Art in the Age of Digital Reproduction (An Evolving Thesis: 1991–1995)”, Leonardo 28(5) (The MIT Press): 381–386. http://classes.design.ucla.edu/Winter09/9-1/_pdf/3-Davis_Work_of_Art.pdf.

Florian Cramer (2015): “What is Post-Digital”. En: David M. Berry/Michael Dieter (eds) Postdigital Aesthetics. Art, Computation and Design, Basingstoke: Palgrave Macmillan, 12-26.

Gries, Laurie E.; Brooke, Collin G. (eds.) (2018): Circulation, Writing & Rhetoric, Logan: Utah State University Press.

Jenkins, Henry / Sam Ford, Joshua Green (2013): Spreadable Media: Creating Value and Meaning in a Networked Culture (Postmillennial Pop), New York, NY: New York University Press.

Manovich, Lev (2013): El software toma el mando, Barcelona: Editorial UOC.

Martín Prada, Juan (2019): «Sampling-Collage», Revista EXIT, 120-143.

Sterne, Jonathan (2003): The Audible Past – Cultural Origins of Sound Reproduction. Durham and London: Duke University Press.

 

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